ARRI ALEXA - Classic | Rocket Rentals

ARRI ALEXA – Classic

ARRI ALEXA is an extraordinary 35 format film-style digital camera system designed for the motion picture and broadcast markets. ALEXA cameras offer exceptional image quality with the organic look and feel of film; their unequalled exposure latitude, high sensitivity and unique ARRI colour processing provide sharp and natural images.


   Price on Enquiry – Auckland | Wellington

ALEXA cameras can simultaneously output a number of formats, all with audio and metadata. Their ability to record Apple ProRes images to on-board SxS PRO cards offers file-based workflows of unparalleled efficiency for immediate time and cost savings. ARRIRAW delivers the pinnacle in image quality and postproduction flexibility, while the HD-SDI outputs integrate seamlessly into existing HD infrastructures.

 
ARRI Product Quality
Rugged and reliable
Simple and safe operation
Well balanced, ergonomic design
Precision sync for 3D
Powerful assistive displays
Surround view
False colour exposure check
Peaking focus check
Compare stored image with live image
Electronic level
RETURN IN video – optional anamorphic de-squeeze
Compatible with existing accessories
 
Exceptional Image Performance
Film-like, organic look- extended, clean highlights
Extremely low noise floor- natural skin tones – excellent colour
Cinematic depth of field
Wide exposure latitude of 14 stops over the entire EI range
EI 800 base sensitivity (EI 160 to EI 3200)
Sharp, natural images for 2K and HD

 
Efficient and Versatile Workflows

Multiple output options- ProRes, ARRIRAW and HD-SDI
Log C, Rec 709 or DCI P3
ARRI Look Files for custom looks
Audio recording
Integrated rich metadata
Apple ProRes- on-board file-based recording- onto SxS PRO cards
All five Apple ProRes codecs – same codec as FCP uses: Shoot > Edit
ARRIRAW- best format for 2K deliverables- best quality for VFX
Greatest flexibility in post- best option for archiving
HD-SDI- integrates into existing HD infrastructures- configurable HD-SDI outputs
 
Open, Future-proof Architecture
Compatibility with industry standards – PL mount lenses – HD-SDI
ProRes, SxS PRO cards – Gold mount or V-lock on-board batteries
12 or 24 V power inputs and outputs – support for cmotion lens control systems. Support for ARRIRAW by third party post tools
Camera Type35 format film-style digital camera with an electronic viewfinder, an Open Gate/4:3/16:9 switchable active sensor area, built-in filter holder, Lens Data System, integrated shoulder arch and receptacles for 15 mm lightweight rods
Sensor35 format ALEV III CMOS sensor with Dual Gain Architecture (DGA) and Bayer pattern color filter array.
Operating Modes16:9, 4:3 or Open Gate sensor modes. Switching takes approx. 60 seconds. 16:9 available for ARRIRAW, ProRes and DNxHD recording. 4:3 only available for ARRIRAW and ProRes 2K recording. Open Gate only available for ARRIRAW recording.
Regular or High Speed mode. Switching takes approx. 40 seconds.
Frame Rates 16:9ProRes HD 0.75 – 120 fps
ProRes 2K 0.75 – 60 fps
DNxHD HD 0.75 – 120 fps
ARRIRAW 0.75 – 120 fps
Frame Rates 4:3ProRes 2K 0.75 – 48 fps
ARRIRAW 0.75 – 90 fps
ShutterElectronic rolling shutter, 5.0º – 358.0º up to 60 fps; 5.0° to 356° above 60 fps. Shutter angle adjustable with 1/10 degree precision.
FiltersBuilt-in Internal Filter Module (IFM-1) filter holder. Accepts one of eight Full Spectrum Neutral Density (FSND) filters, manual insertion/removal. Permanent filters in front of the sensor: optical low pass, UV, IR
Exposure Latitude14+ stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart (DRTC).
White BalancePresets for 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000 (daylight cool). Automatic calculation or manual white balance for 2000 to 11000 Kelvin, adjustable in 100 K steps
DimensionsLength: 332 mm/12.95”, width: 161 mm/6.33”, height: 158 mm/6.22”
WeightALEXA XT body with XR Module: 6.6 kg/14.5 lbs.
ALEXA XT body with XR Module, electronic viewfinder and handle: 8.0 kg/17.6 lbs.